The aim is to collect a database of recordings of acoustic phenomena whilst in Korea. It is my hope to link these samples to a map driven interface. The samples are to be collected according to interests in aspects of place, cultural identity, and most importantly, reflection or illustration of the modes of the loop network.To this end, the field recordings are primarily a series of phonographic studies. They are also to be used as the basis for extended composition experiments using mulitchannel techniques to trace the differing modes of the loop network as present in an individual recording.
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